Difference between revisions of "Videos"

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! Duration
 
! Duration
 
|-
 
|-
| 01_introduction_to_series
+
| [ 01_introduction_to_series]
 
| Here the series is introduced.
 
| Here the series is introduced.
 
| dunno
 
| dunno
 
|-
 
|-
| [https://vimeo.com/219371622 02_interface_01_work_space]
+
| [https://vimeo.com/219857903 02_interface_01_work_space]
 
| This defines a work space configuration which is suitable for a painter or compositor. failure to observe these configurations leads to an inefficient workflow and (conceivably) an annoyed teacher.
 
| This defines a work space configuration which is suitable for a painter or compositor. failure to observe these configurations leads to an inefficient workflow and (conceivably) an annoyed teacher.
 
| 07.04
 
| 07.04
 
|-
 
|-
| [https://vimeo.com/219371622 03_interface_02_layers]
+
| [https://vimeo.com/219860801 03_interface_02_layers]
 
| This introduces the Layers Panel: the heart of Photoshop.
 
| This introduces the Layers Panel: the heart of Photoshop.
 
| 10.26
 
| 10.26
 
|-
 
|-
| [https://vimeo.com/219371622 04_interface_03_tools]
+
| [https://vimeo.com/219863826 04_interface_03_tools]
 
| This introduces the Tools Panel: the other heart of Photoshop.
 
| This introduces the Tools Panel: the other heart of Photoshop.
 
| 13.48
 
| 13.48
Line 22: Line 22:
 
| colspan="3" style="text-align: center;" | BRUSHES
 
| colspan="3" style="text-align: center;" | BRUSHES
 
|-
 
|-
| [https://vimeo.com/219372686 05_brush_01_settings]
+
| [https://vimeo.com/219862857 05_brush_01_settings]
 
| A digital brush is a very different thing to an analogue brush, offering a high degree of flexibility and power. This video introduces some of the more important settings of the Brush Panel.
 
| A digital brush is a very different thing to an analogue brush, offering a high degree of flexibility and power. This video introduces some of the more important settings of the Brush Panel.
 
| 12.07
 
| 12.07
 
|-
 
|-
| [https://vimeo.com/219372996 06_brush_02_making_new_brush_1]
+
| [https://vimeo.com/219870398 06_brush_02_making_new_brush_1]
 
| Here I show how to define a new brush tip shape from a simple painted image. Important: it is transparency that defines the shape of a brush tip, not colour or lightness.
 
| Here I show how to define a new brush tip shape from a simple painted image. Important: it is transparency that defines the shape of a brush tip, not colour or lightness.
 
| 03.19
 
| 03.19
 
|-
 
|-
| [https://vimeo.com/219374598 07_brush_03_making_new_brush_2]
+
| [https://vimeo.com/219863923 07_brush_03_making_new_brush_2]
 
| This is a development of the preceding video. A new brush tip shape is defined, using which some leaves are painted on a tree. I also show how to force the brush tip direction to follow the direction of the brush mark.
 
| This is a development of the preceding video. A new brush tip shape is defined, using which some leaves are painted on a tree. I also show how to force the brush tip direction to follow the direction of the brush mark.
 
| 09.21
 
| 09.21
Line 36: Line 36:
 
| colspan="3" style="text-align: center;" | LAYER CLIPPING
 
| colspan="3" style="text-align: center;" | LAYER CLIPPING
 
|-
 
|-
| [https://vimeo.com/219374359 08_layer_clipping_01_intro]
+
| [https://vimeo.com/219859460 08_layer_clipping_01_intro]
 
| Here layer Clipping is introduced. layer Clipping is the means by which a background layer serves to mask the contents of a foreground layer.
 
| Here layer Clipping is introduced. layer Clipping is the means by which a background layer serves to mask the contents of a foreground layer.
 
| 01.12
 
| 01.12
 
|-
 
|-
| [https://vimeo.com/219374547 09_layer_clipping_02_use_of]
+
| [https://vimeo.com/219864507 09_layer_clipping_02_use_of]
 
| This video shows the use to which Layer Clipping can be put.
 
| This video shows the use to which Layer Clipping can be put.
 
| 01.32
 
| 01.32
Line 46: Line 46:
 
| colspan="3" style="text-align: center;" | SELECTION TO MASK WORKFLOW
 
| colspan="3" style="text-align: center;" | SELECTION TO MASK WORKFLOW
 
|-
 
|-
| [https://vimeo.com/219376316 10_selection_to_mask_01_overview]
+
| [https://vimeo.com/219876451 10_selection_to_mask_01_overview]
 
| Masking is a vital skill for a designer and compositor. Serving this is the selection to mask workflow, to which this video offers a brief overview.
 
| Masking is a vital skill for a designer and compositor. Serving this is the selection to mask workflow, to which this video offers a brief overview.
 
| 00.57
 
| 00.57
 
|-
 
|-
| [https://vimeo.com/219377273 11_selection_to_mask_02_masks_intro]
+
| [https://vimeo.com/219866743 11_selection_to_mask_02_masks_intro]
 
| Here layer Masks are introduced. A Layer mask is a means by which a background layer may mask a foreground layer.
 
| Here layer Masks are introduced. A Layer mask is a means by which a background layer may mask a foreground layer.
 
| 04.16
 
| 04.16
 
|-
 
|-
| [https://vimeo.com/219378301 12_selection_to_mask_02_selection_intro]
+
| [https://vimeo.com/219871085 12_selection_to_mask_02_selection_intro]
 
| Here some of Photoshop’s selection tools are introduced.
 
| Here some of Photoshop’s selection tools are introduced.
 
| 03.25
 
| 03.25
 
|-
 
|-
| [https://vimeo.com/219378925 13_selection_to_mask_04_workflow]
+
| [https://vimeo.com/219869508 13_selection_to_mask_04_workflow]
 
| This video give a quick introduction to how a selection may be converted to a mask.
 
| This video give a quick introduction to how a selection may be converted to a mask.
 
| 01.40
 
| 01.40
 
|-
 
|-
| [https://vimeo.com/219380461 14_selection_to_mask_05_color_range]
+
| [https://vimeo.com/219868559 14_selection_to_mask_05_color_range]
 
| Photoshop’s most powerful selection tool, Color range, is shown in all its glory.
 
| Photoshop’s most powerful selection tool, Color range, is shown in all its glory.
 
| 07.51
 
| 07.51
 
|-
 
|-
| [https://vimeo.com/219382999 15_selection_to_mask_06_walkthrough]
+
| [https://vimeo.com/219869443 15_selection_to_mask_06_walkthrough]
 
| In this video, I give an end to end walkthrough of a complex masking task.
 
| In this video, I give an end to end walkthrough of a complex masking task.
 
| 12.13
 
| 12.13
Line 72: Line 72:
 
| colspan="3" style="text-align: center;" | ADJUSTMENTS
 
| colspan="3" style="text-align: center;" | ADJUSTMENTS
 
|-
 
|-
| [https://vimeo.com/219383194 16_adjustments_01_intro_1]
+
| [https://vimeo.com/219871413 16_adjustments_01_intro_1]
 
| Adjustments: what are they? What is the difference between an Adjustment Layer and an Adjustment.
 
| Adjustments: what are they? What is the difference between an Adjustment Layer and an Adjustment.
 
| 01.47
 
| 01.47
 
|-
 
|-
| [https://vimeo.com/219384683 17_adjustments_02_intro_2]
+
| [https://vimeo.com/219866644 17_adjustments_02_intro_2]
 
| Here is give a brief overview of the four Adjustments that this course supports: Levels, Curves, Hue Saturation, Selective Color.
 
| Here is give a brief overview of the four Adjustments that this course supports: Levels, Curves, Hue Saturation, Selective Color.
 
| 03.54
 
| 03.54
 
|-
 
|-
| [https://vimeo.com/219385970 18_adjustments_03_levels_overview]
+
| [https://vimeo.com/219868784 18_adjustments_03_levels_overview]
 
| Overview of the Levels adjustment. All its functionality is duplicated by Curves, but it still makes sense to use it occasionally.
 
| Overview of the Levels adjustment. All its functionality is duplicated by Curves, but it still makes sense to use it occasionally.
 
| 04.30
 
| 04.30
 
|-
 
|-
| [https://vimeo.com/219386323 19_adjustments_04_curves_overview]
+
| [https://vimeo.com/219872397 19_adjustments_04_curves_overview]
 
| Overview of the Curves Adjustment. Learn this Adjustment, if no other.
 
| Overview of the Curves Adjustment. Learn this Adjustment, if no other.
 
| 03.30
 
| 03.30
 
|-
 
|-
| [https://vimeo.com/219387068 20_adjustments_05_curves_correct]
+
| [https://vimeo.com/219911799 20_adjustments_05_curves_correct]
 
| How to neutralize an image using the Curves Adjustment (i.e. remove the colour cast).
 
| How to neutralize an image using the Curves Adjustment (i.e. remove the colour cast).
 
| 04.28
 
| 04.28
 
|-
 
|-
| [https://vimeo.com/219390181 21_adjustments_06_hue_sat_overview]
+
| [https://vimeo.com/219870354 21_adjustments_06_hue_sat_overview]
 
| Overview of the Hue Saturation adjustment. Not good for photos. Great for flat colour.
 
| Overview of the Hue Saturation adjustment. Not good for photos. Great for flat colour.
 
| 08.49
 
| 08.49
 
|-
 
|-
| [https://vimeo.com/219389125 22_adjustments_07_selective_col_overview]
+
| [https://vimeo.com/219874214 22_adjustments_07_selective_col_overview]
 
| Overview of the Selective Color adjustment. The master adjustment for hue. Very important, especially for photographers.
 
| Overview of the Selective Color adjustment. The master adjustment for hue. Very important, especially for photographers.
 
| 03.14
 
| 03.14
Line 102: Line 102:
 
| colspan="3" style="text-align: center;" | LAYER BLENDS
 
| colspan="3" style="text-align: center;" | LAYER BLENDS
 
|-
 
|-
| [https://vimeo.com/219389042 23_layer_blends_01_intro]
+
| [https://vimeo.com/219873280 23_layer_blends_01_intro]
 
| Layer Blends are introduced. These are supported by Blend Modes, which are all over Photoshop.
 
| Layer Blends are introduced. These are supported by Blend Modes, which are all over Photoshop.
 
| 03.42
 
| 03.42
 
|-
 
|-
| [https://vimeo.com/219389041 24_layer_blends_02_function]
+
| [https://vimeo.com/219874447 24_layer_blends_02_function]
 
| Here I describe the families of Blend Modes, with an emphasis on identifying those which I deem the most important.
 
| Here I describe the families of Blend Modes, with an emphasis on identifying those which I deem the most important.
 
| 04.00
 
| 04.00
 
|-
 
|-
| 25_layer_blends_03_walkthrough
+
| [https://vimeo.com/219874729 25_layer_blends_03_walkthrough]
 
| The layer blends of a real-life digital composite are examined.
 
| The layer blends of a real-life digital composite are examined.
 
| 02.34
 
| 02.34
 
|}
 
|}

Revision as of 05:11, 2 June 2017

Name Details Duration
[ 01_introduction_to_series] Here the series is introduced. dunno
02_interface_01_work_space This defines a work space configuration which is suitable for a painter or compositor. failure to observe these configurations leads to an inefficient workflow and (conceivably) an annoyed teacher. 07.04
03_interface_02_layers This introduces the Layers Panel: the heart of Photoshop. 10.26
04_interface_03_tools This introduces the Tools Panel: the other heart of Photoshop. 13.48
BRUSHES
05_brush_01_settings A digital brush is a very different thing to an analogue brush, offering a high degree of flexibility and power. This video introduces some of the more important settings of the Brush Panel. 12.07
06_brush_02_making_new_brush_1 Here I show how to define a new brush tip shape from a simple painted image. Important: it is transparency that defines the shape of a brush tip, not colour or lightness. 03.19
07_brush_03_making_new_brush_2 This is a development of the preceding video. A new brush tip shape is defined, using which some leaves are painted on a tree. I also show how to force the brush tip direction to follow the direction of the brush mark. 09.21
LAYER CLIPPING
08_layer_clipping_01_intro Here layer Clipping is introduced. layer Clipping is the means by which a background layer serves to mask the contents of a foreground layer. 01.12
09_layer_clipping_02_use_of This video shows the use to which Layer Clipping can be put. 01.32
SELECTION TO MASK WORKFLOW
10_selection_to_mask_01_overview Masking is a vital skill for a designer and compositor. Serving this is the selection to mask workflow, to which this video offers a brief overview. 00.57
11_selection_to_mask_02_masks_intro Here layer Masks are introduced. A Layer mask is a means by which a background layer may mask a foreground layer. 04.16
12_selection_to_mask_02_selection_intro Here some of Photoshop’s selection tools are introduced. 03.25
13_selection_to_mask_04_workflow This video give a quick introduction to how a selection may be converted to a mask. 01.40
14_selection_to_mask_05_color_range Photoshop’s most powerful selection tool, Color range, is shown in all its glory. 07.51
15_selection_to_mask_06_walkthrough In this video, I give an end to end walkthrough of a complex masking task. 12.13
ADJUSTMENTS
16_adjustments_01_intro_1 Adjustments: what are they? What is the difference between an Adjustment Layer and an Adjustment. 01.47
17_adjustments_02_intro_2 Here is give a brief overview of the four Adjustments that this course supports: Levels, Curves, Hue Saturation, Selective Color. 03.54
18_adjustments_03_levels_overview Overview of the Levels adjustment. All its functionality is duplicated by Curves, but it still makes sense to use it occasionally. 04.30
19_adjustments_04_curves_overview Overview of the Curves Adjustment. Learn this Adjustment, if no other. 03.30
20_adjustments_05_curves_correct How to neutralize an image using the Curves Adjustment (i.e. remove the colour cast). 04.28
21_adjustments_06_hue_sat_overview Overview of the Hue Saturation adjustment. Not good for photos. Great for flat colour. 08.49
22_adjustments_07_selective_col_overview Overview of the Selective Color adjustment. The master adjustment for hue. Very important, especially for photographers. 03.14
LAYER BLENDS
23_layer_blends_01_intro Layer Blends are introduced. These are supported by Blend Modes, which are all over Photoshop. 03.42
24_layer_blends_02_function Here I describe the families of Blend Modes, with an emphasis on identifying those which I deem the most important. 04.00
25_layer_blends_03_walkthrough The layer blends of a real-life digital composite are examined. 02.34